As we mark 70 years of Welsh National Opera, it is a time to look forward. What better way to do this than with a world première of a major new opera? In Parenthesis is young British composer Iain Bell’s adaptation of the epic poem by Welsh poet, writer and artist David Jones. In Parenthesis is commissioned by the Nicholas John Trust with 14-18 NOW, the UK’s arts programme for the First World War Centenary.
Private John Ball and his comrades in the Royal Welch Fusiliers are posted to the Somme. In Mametz Wood they enter a strange realm – outside of time, dream-like but deadly. Rather than simply reporting the horrors of the Somme, In Parenthesis dares to offer hope. Even here amongst the destruction, a fragile flowering of regeneration and re-birth can be found. Bell’s beautiful score combines traditional Welsh song with moments of other-worldliness, terror, humour and transcendence. David Pountney’s period production is both an evocation and a commemoration of the events of the Somme.
Field is an immersive artwork and memorial for 923 Royal Welch Fusiliers who died at the Battle of the Somme during the First World War and have no known grave.
Field has been created by award-winning international art and design collective Squidsoup, commissioned by Welsh National Opera to accompany our major new opera, In Parenthesis by Iain Bell.
The 923 lights represent the many fallen fusiliers whose names are inscribed on the Thiepval Memorial in France. Some of these men would have served with ‘In Parenthesis’ author, David Jones, during the battle at Mametz Wood July 1916.
The 923 lights represent the many fallen fusiliers whose names are inscribed on the Thiepval Memorial in France. Some of these men would have served with ‘In Parenthesis’ author, David Jones, during the battle at Mametz Wood July 1916.
This work seeks to create an environment for remembrance and contemplation; one that connects the spiritual and elemental with the physical, the unseen with the seen, our past with our present.
No comments:
Post a Comment